Yamaha LS9-16 digital mixer console



YAMAHA LS9-16 digital mixer console

Technical specifications:

  • Dimensions (width, height, depth) [mm]: 480 x 220 x 500
  • Weight: 12 kg
  • Power supply: 110-240 V, 170 W
  • Current consumption: 95W
  • Operating temperature range: 10 to 35 C
  • Number of microphone-line inputs: 16 symmetrical on XLR connectors
  • Microphone-line input gain adjustment range: -62 to + 10 dB
  • Number of mixing channels: 32
  • Number of linear outputs: 16 symmetrical on XLR connectors
  • Number of output rails: 16 MIX rails, 8 MATRIX rails, STEREO rail, MONO
  • Sampling rate: 44.1, 48.0 kHz,
  • Number of channel silencers: 33 motorized with a length of 100 mm
  • LCD display: 320x240 points, color
  • Channel equipment: HPF filter, two dynamic processors, 4-point parametric equalizer
  • Output rail equipment: dynamic processor, 4-point parametric equalizer
  • Built-in effects: up to 16 tertiion equalizers, up to 4 multi-effect processors

LS9-16 YAMAHA Console
YAMAHA LS9-16 is a professional digital console. It zardesigned for both professional and amateur applications. The mixer has 16 physical mixing channels, expandable by another 16, totaling 32 channels. The console has an expansion card slot to which you can connect e.g. MY16AT card (so you can generate 16 additional inputs and 8 outputs) or MY16ES64 to create an EtherSound network. Thanks to the internal digital loom, the console allows you to assign all inputs and outputs in any way you want (assigning a single input to multiple channels or assigning a signal from one BUS channel to multiple outputs). In addition, the LS9-16 has 4 independent reverberationeffects that increase the number of mixed channels by 8 returns. There are 48 different types of effectsavailable, including REV-X and DELAY effects. Another advantage of the LS9-16 is the built-in MP3 player/recorder that works with USB memory sticks. All input and output channels equipped with a 4-point parametric equalizer and a gate and compressor. The LS9-16 allows the use of up to 16 built-in tertiion graphic equalizers in the form of inserts on any output channel.

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