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Yamaha QL5 mikser cyfrowy konsoleta Powiększ

Yamaha QL5 mikser cyfrowy konsoleta

 

 Zamówienie i odbiór wyłącznie w sklepie ul. Górnika 9A

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QL5

61 999,00 zł

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30 Inne produkty w tej samej kategorii:

Yamaha QL5 mikser cyfrowy konsoleta <h2 class="headingA01"><iframe src="http://www.youtube.com/embed/Btu9NVhoKGw" frameborder="0" width="425" height="350"></iframe></h2> <h2 class="headingA01"> </h2> <h2 class="headingA01"> </h2> <h2 class="headingA01">QL5, QL1</h2> <p><strong>LINK DO STRONY :</strong> http://www.yamahaproaudio.com/global/en/products/mixers/ql/index.jsp</p> <p><strong>Yamaha QL5 </strong> <br /><br />QL wyposażone są w duży dotykowy panel, kolorowy interfejs. Oprócz analogowych wejść i wyjść posiadają również obsługę Dante, która pozwala też na łączenie się z konsoletami CL. Głównym zadaniem QL jest dostarczenie podobnej funkcjonalności i jakości konsolet CL w mniejszych systemach i na mniejszych sztukach, no i w niższym przedziale cenowym. Konsoletę można kontrolować zdalnie przy pomocy Yamaha StageMix oraz konfigurować offline przy pomocy QL Editor na Mac i PC.Yamaha QL5 posiadaja 32 wbudowane preampy, 34 tłumiki, 16 wyjść analogowych oraz 64 + 8 kanałów z processingiem. Do tego 16 mixów i 8 matryc plus szyna stereo i wyjścia mono, 8 grup DCA, 8x mute group. Wbudowany interfejs Dante daje nam 64x64 dla QL5.</p> <div class="tableA01"> <table class="specTable"> <tbody> <tr><th colspan="2">General specifications</th><th class="product1">QL5</th><th class="product2">QL1</th></tr> <tr><th class="col" rowspan="2">Sampling frequency rate</th><th class="col">Internal</th> <td class="product1">44.1kHz / 48kHz</td> <td class="product2">44.1kHz / 48kHz</td> </tr> <tr><th class="col">External</th> <td class="product1">44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)</td> <td class="product2">44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)</td> </tr> <tr><th class="col" colspan="2">Signal delay</th> <td class="product1">Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz</td> <td class="product2">Less than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz</td> </tr> <tr><th class="col" colspan="2">Fader</th> <td class="product1">100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders</td> <td class="product2">100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders</td> </tr> <tr><th class="col" colspan="2">Total harmonic distortion</th> <td class="product1">Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.</td> <td class="product2">Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.</td> </tr> <tr><th class="col" colspan="2">Frequency response</th> <td class="product1">+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT</td> <td class="product2">+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT</td> </tr> <tr><th class="col" colspan="2">Dynamic range</th> <td class="product1">112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.</td> <td class="product2">112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.</td> </tr> <tr><th class="col" rowspan="2">Hum & noise level</th><th class="col">Equivalent input noise</th> <td class="product1">-128dBu typ., Equivalent Input Noise, Input Gain=Max</td> <td class="product2">-128dBu typ., Equivalent Input Noise, Input Gain=Max</td> </tr> <tr><th class="col">Residual output noise</th> <td class="product1">-88dBu, Residual output noise, ST master off</td> <td class="product2">-88dBu, Residual output noise, ST master off</td> </tr> <tr><th class="col" colspan="2">Crosstalk</th> <td class="product1">-100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.</td> <td class="product2">-100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.</td> </tr> <tr><th class="col" colspan="2">Power requirements</th> <td class="product1">100-240V 50/60Hz</td> <td class="product2">100-240V 50/60Hz</td> </tr> <tr><th class="col" colspan="2">Power consumption</th> <td class="product1">200W</td> <td class="product2">135W</td> </tr> <tr><th class="col" rowspan="3">Dimensions</th><th class="col">W</th> <td class="product1">828mm(32.6in)</td> <td class="product2">468mm(18.4in )</td> </tr> <tr><th class="col">H</th> <td class="product1">272mm(10.7in)</td> <td class="product2">272mm(10.7in)</td> </tr> <tr><th class="col">D</th> <td class="product1">563mm(22.2in)</td> <td class="product2">562mm(22.1in)</td> </tr> <tr><th class="col" colspan="2">Net weight</th> <td class="product1">21.8kg(48.1lb)</td> <td class="product2">14.7kg(32.4lb)</td> </tr> <tr><th class="col" colspan="2">Accessories</th> <td class="product1">Owner’s Manual, dust cover, power cord, DVS license sheet</td> <td class="product2">Owner’s Manual, power cord, DVS license sheet</td> </tr> <tr><th class="col" colspan="2">Options</th> <td class="product1">Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live</td> <td class="product2">Rackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live</td> </tr> <tr><th class="col" colspan="2">Others</th> <td class="product1">Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃</td> <td class="product2">Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃</td> </tr> </tbody> </table> <!-- /div.tableA01 --></div> <p><!-- /div.spec_0 --></p> <div class="imageDescriptionA04"> <div class="desc"> <p style="font-size: 80%;">Crosstalk@1kHz : A 22kHz, 30dB/Oct filter is used to measure crosstalk. <br /> Total Harmonic Distortion : An 80kHz, 18dB/Oct filter is used to measure total harmonic distortion. <br /> Hum & Noise : An A-Weight filter is used to measure hum &noise.</p> <div class="tableA01"> <h2 class="headingB01">Analog input characteristics</h2> <table class="specTable"> <tbody> <tr><th class="col" rowspan="2">Input Connectors</th><th class="col" rowspan="2">GAIN</th><th class="col" rowspan="2">Input <br /> Impedance</th><th class="col" rowspan="2">Source <br /> Impedance</th><th class="col" colspan="3">Input level</th><th class="col" rowspan="2">Connector</th></tr> <tr><th class="col">Sensitivity*¹</th><th class="col">Nominal</th><th class="col">Max. before clip</th></tr> <tr> <td rowspan="2">INPUT <br /> 1-32 *6</td> <td>+66dB</td> <td rowspan="2">7.5 kΩ</td> <td rowspan="2">50-600 Ω <br />Mics & <br /> 600 ΩLines</td> <td>–82dBu <br /> (61.6μV)</td> <td>–62dBu <br /> (0.616mV)</td> <td>–42dBu <br /> (6.16mV)</td> <td rowspan="2">XLR-3-31 <br /> type <br /> (Balanced) *2</td> </tr> <tr> <td>–6dB</td> <td>–10dBu <br /> (245mV)</td> <td>+10dBu <br /> (2.45V)</td> <td>+30dBu <br /> (24.5V)</td> </tr> </tbody> </table> <p style="font-size: 80%;">*1. The sensitivity is the input level required for output at +4dBu (1.23V) or at the defined level when all the faders and level <br /> controllers are set to the maximum value. <br /> *2. XLR-3-31 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD). <br /> *3. 0dBu=0.775 Vrms for all specifications. <br /> *4. All the AD converters use 24-bit linear/128-times oversampling. <br /> *5. The INPUT connectors have +48V DC (phantom power) jacks, each of which can be turned on/off individually from the console software. <br /> *6. QL1: INPUT1-16</p> </div> <div class="tableA01"> <h2 class="headingB01">Analog output characteristics</h2> <table class="specTable"> <tbody> <tr><th class="col" rowspan="2">Output <br /> Connectors</th><th class="col" rowspan="2">Output <br /> Impedance</th><th class="col" rowspan="2">Load <br /> Impedance</th><th class="col" rowspan="2">Maximum <br /> Output <br /> Level *5</th><th class="col" colspan="2">Output Level</th><th class="col" rowspan="2">Connector</th></tr> <tr><th class="col">Defined Level</th><th class="col">Maximum <br /> Non-Clip Level</th></tr> <tr> <td rowspan="2">OMNI <br /> OUT 1-16 *7</td> <td rowspan="2">75 Ω</td> <td rowspan="2">600 Ω <br />Lines</td> <td>+24dB <br /> (default)</td> <td>+4dBu <br /> (1.23V)</td> <td>vt+24dBu <br /> (12.3V)</td> <td rowspan="2">XLR-3-32 type <br /> (Balanced) *1</td> </tr> <tr> <td>+18dB</td> <td>–2dBu <br /> (616mV)</td> <td>+18dBu <br /> (6.16V)</td> </tr> <tr> <td rowspan="2">PHONES</td> <td rowspan="2">15 Ω</td> <td>8 Ω <br />Phones</td> <td>-</td> <td>75mW *6</td> <td>150mW</td> <td rowspan="2">Stereo Phone <br /> Jack(TRS) <br /> (Unbalanced) *2</td> </tr> <tr> <td>40 Ω <br />Phones</td> <td>-</td> <td>65mW *6</td> <td>150mW</td> </tr> </tbody> </table> <p style="font-size: 80%;">*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD). <br /> *2. The PHONES connectors for stereo headphones are balanced jacks (Tip=LEFT, Ring=RIGHT, Sleeve= GND). <br /> *3. 0 dBu=0.775 Vrms for all specifications. <br /> *4. All the DA converters use 24-bit linear/128-times oversampling. <br /> *5. The console has an internal switch for toggling the maximum output level. <br /> *6. This is a value measured with the PHONES LEVEL knob set to 10 dB below the maximum position. <br /> *7. QL1: OMNI OUT 1-8</p> </div> <div class="tableA01"> <h2 class="headingB01">Digital input/output specifications</h2> <table class="specTable"> <tbody> <tr><th class="col">Connectors</th><th class="col">Format</th><th class="col">Data length</th><th class="col">Level</th><th class="col">Audio</th><th class="col">Connector</th></tr> <tr> <td>Primary/Secondary</td> <td>Dante</td> <td>24bit or 32bit</td> <td>1000Base-T</td> <td>64ch Input/64ch <br /> Output@48kHz *1</td> <td>EtherCON Cat5e</td> </tr> </tbody> </table> <p style="font-size: 80%;">*1. QL1: 32ch Input/32ch Output@48kHz</p> </div> <div class="tableA01"> <h2 class="headingB01">Digital output specifications</h2> <table class="specTable"> <tbody> <tr><th class="col" colspan="2">Connectors</th><th class="col">Format</th><th class="col">Data length</th><th class="col">Level</th><th class="col">Connector</th></tr> <tr> <td>DIGITAL OUT</td> <td>AES/EBU</td> <td>AES/EBU Professional Use</td> <td>24bit</td> <td>RS422</td> <td>XLR-3-32 type (Balanced) *1</td> </tr> </tbody> </table> <p style="font-size: 80%;">*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).</p> </div> <h2 class="headingB01">I/O SLOT (1-2) specifications</h2> <p>Each I/O Slot accepts a Mini-YGDAI card. <br /> Only Slot 1 has a serial interfac</p> <div class="tableA01"> <h2 class="headingB01">Control I/O characteristics</h2> <table class="specTable"> <tbody> <tr><th class="col" colspan="2">Connectors</th><th class="col">Format</th><th class="col">Level</th><th class="col">Connector</th></tr> <tr> <td rowspan="2">MIDI</td> <td>IN</td> <td>MIDI</td> <td>-</td> <td>DIN Connector 5P</td> </tr> <tr> <td>OUT</td> <td>MIDI</td> <td>-</td> <td>DIN Connector 5P</td> </tr> <tr> <td rowspan="2">WORDCLOCK</td> <td>IN</td> <td>-</td> <td>TTL/75 Ω terminated</td> <td>BNC Connector</td> </tr> <tr> <td>OUT</td> <td>-</td> <td>TTL/75 Ω</td> <td>BNC Connector</td> </tr> <tr> <td colspan="2">GPI (5IN/5OUT)</td> <td>-</td> <td>-</td> <td>D Sub Connector 15P(Female) *1</td> </tr> <tr> <td colspan="2">NETWORK</td> <td>IEEE802.3</td> <td>10BASE-T/100Base-TX</td> <td>RJ-45</td> </tr> <tr> <td colspan="2">LAMP (QL5: x 2, QL1: x 1)</td> <td>-</td> <td>0V-12V</td> <td>XLR-4-31 type *2</td> </tr> <tr> <td colspan="2">USB HOST</td> <td>USB 2.0</td> <td>-</td> <td>USB A Connector (Female)</td> </tr> </tbody> </table> <p style="font-size: 80%;">*1. Input pin: TTL level, w/ internal pull-up (47kΩ) Output pin: Open drain output (Vmax=12V, maximum sink current/pin=-75mA) Power supply pin: Output voltage Vp=5V, Max. output current=300mA <br /> *2. 4 pin=+12V, 3 pin=GND, Lamp nominal power: 5W, Brightness (voltage) can be adjusted from the software.</p> </div> </div> </div> <p><strong>Yamaha QL5 </strong> <br /><br />QL wyposażone są w duży dotykowy panel, kolorowy interfejs. Oprócz analogowych wejść i wyjść posiadają również obsługę Dante, która pozwala też na łączenie się z konsoletami CL. Głównym zadaniem QL jest dostarczenie podobnej funkcjonalności i jakości konsolet CL w mniejszych systemach i na mniejszych sztukach, no i w niższym przedziale cenowym. Konsoletę można kontrolować zdalnie przy pomocy Yamaha StageMix oraz konfigurować offline przy pomocy QL Editor na Mac i PC.Yamaha QL5 posiadaja 32 wbudowane preampy, 34 tłumiki, 16 wyjść analogowych oraz 64 + 8 kanałów z processingiem. Do tego 16 mixów i 8 matryc plus szyna stereo i wyjścia mono, 8 grup DCA, 8x mute group. Wbudowany interfejs Dante daje nam 64x64 dla QL5.</p>
50 405,69 zł

 

 

QL5, QL1

LINK DO STRONY : http://www.yamahaproaudio.com/global/en/products/mixers/ql/index.jsp

Yamaha QL5

QL wyposażone są w duży dotykowy panel, kolorowy interfejs. Oprócz analogowych wejść i wyjść posiadają również obsługę Dante, która pozwala też na łączenie się z konsoletami CL. Głównym zadaniem QL jest dostarczenie podobnej funkcjonalności i jakości konsolet CL w mniejszych systemach i na mniejszych sztukach, no i w niższym przedziale cenowym. Konsoletę można kontrolować zdalnie przy pomocy Yamaha StageMix oraz konfigurować offline przy pomocy QL Editor na Mac i PC.Yamaha QL5 posiadaja 32 wbudowane preampy, 34 tłumiki, 16 wyjść analogowych oraz 64 + 8 kanałów z processingiem. Do tego 16 mixów i 8 matryc plus szyna stereo i wyjścia mono, 8 grup DCA, 8x mute group. Wbudowany interfejs Dante daje nam 64x64 dla QL5.

General specificationsQL5QL1
Sampling frequency rateInternal44.1kHz / 48kHz44.1kHz / 48kHz
External44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
Signal delayLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHzLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz
Fader100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders
Total harmonic distortionLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.
Frequency response+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT
Dynamic range112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.112dB typ.: DA Converter / 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.
Hum & noise levelEquivalent input noise-128dBu typ., Equivalent Input Noise, Input Gain=Max-128dBu typ., Equivalent Input Noise, Input Gain=Max
Residual output noise-88dBu, Residual output noise, ST master off-88dBu, Residual output noise, ST master off
Crosstalk-100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.-100dB*1, adjacent INPUT/OMNI OUT channels, Input Gain = Min.
Power requirements100-240V 50/60Hz100-240V 50/60Hz
Power consumption200W135W
DimensionsW828mm(32.6in)468mm(18.4in )
H272mm(10.7in)272mm(10.7in)
D563mm(22.2in)562mm(22.1in)
Net weight21.8kg(48.1lb)14.7kg(32.4lb)
AccessoriesOwner’s Manual, dust cover, power cord, DVS license sheetOwner’s Manual, power cord, DVS license sheet
OptionsMini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo LiveRackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L, Nuendo Live
OthersOperating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

Crosstalk@1kHz : A 22kHz, 30dB/Oct filter is used to measure crosstalk.
Total Harmonic Distortion : An 80kHz, 18dB/Oct filter is used to measure total harmonic distortion.
Hum & Noise : An A-Weight filter is used to measure hum &noise.

Analog input characteristics

Input ConnectorsGAINInput
Impedance
Source
Impedance
Input levelConnector
Sensitivity*¹NominalMax. before clip
INPUT
1-32 *6
+66dB7.5 kΩ50-600 Ω
Mics &
600 ΩLines
–82dBu
(61.6μV)
–62dBu
(0.616mV)
–42dBu
(6.16mV)
XLR-3-31
type
(Balanced) *2
–6dB–10dBu
(245mV)
+10dBu
(2.45V)
+30dBu
(24.5V)

*1. The sensitivity is the input level required for output at +4dBu (1.23V) or at the defined level when all the faders and level
controllers are set to the maximum value.
*2. XLR-3-31 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).
*3. 0dBu=0.775 Vrms for all specifications.
*4. All the AD converters use 24-bit linear/128-times oversampling.
*5. The INPUT connectors have +48V DC (phantom power) jacks, each of which can be turned on/off individually from the console software.
*6. QL1: INPUT1-16

Analog output characteristics

Output
Connectors
Output
Impedance
Load
Impedance
Maximum
Output
Level *5
Output LevelConnector
Defined LevelMaximum
Non-Clip Level
OMNI
OUT 1-16 *7
75 Ω600 Ω
Lines
+24dB
(default)
+4dBu
(1.23V)
vt+24dBu
(12.3V)
XLR-3-32 type
(Balanced) *1
+18dB–2dBu
(616mV)
+18dBu
(6.16V)
PHONES15 Ω8 Ω
Phones
-75mW *6150mWStereo Phone
Jack(TRS)
(Unbalanced) *2
40 Ω
Phones
-65mW *6150mW

*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).
*2. The PHONES connectors for stereo headphones are balanced jacks (Tip=LEFT, Ring=RIGHT, Sleeve= GND).
*3. 0 dBu=0.775 Vrms for all specifications.
*4. All the DA converters use 24-bit linear/128-times oversampling.
*5. The console has an internal switch for toggling the maximum output level.
*6. This is a value measured with the PHONES LEVEL knob set to 10 dB below the maximum position.
*7. QL1: OMNI OUT 1-8

Digital input/output specifications

ConnectorsFormatData lengthLevelAudioConnector
Primary/SecondaryDante24bit or 32bit1000Base-T64ch Input/64ch
Output@48kHz *1
EtherCON Cat5e

*1. QL1: 32ch Input/32ch Output@48kHz

Digital output specifications

ConnectorsFormatData lengthLevelConnector
DIGITAL OUTAES/EBUAES/EBU Professional Use24bitRS422XLR-3-32 type (Balanced) *1

*1. XLR-3-32 connectors are balanced jacks (1=GND, 2=HOT, 3=COLD).

I/O SLOT (1-2) specifications

Each I/O Slot accepts a Mini-YGDAI card.
Only Slot 1 has a serial interfac

Control I/O characteristics

ConnectorsFormatLevelConnector
MIDIINMIDI-DIN Connector 5P
OUTMIDI-DIN Connector 5P
WORDCLOCKIN-TTL/75 Ω terminatedBNC Connector
OUT-TTL/75 ΩBNC Connector
GPI (5IN/5OUT)--D Sub Connector 15P(Female) *1
NETWORKIEEE802.310BASE-T/100Base-TXRJ-45
LAMP (QL5: x 2, QL1: x 1)-0V-12VXLR-4-31 type *2
USB HOSTUSB 2.0-USB A Connector (Female)

*1. Input pin: TTL level, w/ internal pull-up (47kΩ) Output pin: Open drain output (Vmax=12V, maximum sink current/pin=-75mA) Power supply pin: Output voltage Vp=5V, Max. output current=300mA
*2. 4 pin=+12V, 3 pin=GND, Lamp nominal power: 5W, Brightness (voltage) can be adjusted from the software.

Yamaha QL5

QL wyposażone są w duży dotykowy panel, kolorowy interfejs. Oprócz analogowych wejść i wyjść posiadają również obsługę Dante, która pozwala też na łączenie się z konsoletami CL. Głównym zadaniem QL jest dostarczenie podobnej funkcjonalności i jakości konsolet CL w mniejszych systemach i na mniejszych sztukach, no i w niższym przedziale cenowym. Konsoletę można kontrolować zdalnie przy pomocy Yamaha StageMix oraz konfigurować offline przy pomocy QL Editor na Mac i PC.Yamaha QL5 posiadaja 32 wbudowane preampy, 34 tłumiki, 16 wyjść analogowych oraz 64 + 8 kanałów z processingiem. Do tego 16 mixów i 8 matryc plus szyna stereo i wyjścia mono, 8 grup DCA, 8x mute group. Wbudowany interfejs Dante daje nam 64x64 dla QL5.

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